Jazmine
Peer Review and
Commentary—Science Feature
The Lead:
How
does the lead pull the reader in and entice her to read on? Is it surprising, or are claims made that are
common knowledge (note: the reader shouldn’t be able to say, ‘well duh.’)? Is it effective? Can it be made more effective? (think details, human drama, evocative
language—why do/don’t you want to read on?)
Make
this a cery active paragraph. “Scan through” instead of hypothetical. It will
make it a stronger introduction. The rhetorical questions are generally
effective. It isn’t really surprising, but relatable.
Does
the lead give a clear indication of what the story will be about, or rely on
mystery, or both? Would more of a focus
be helpful? Is the reader aware of the
importance of a topic—why it matters and is worth learning about? Adversely, if for more entertainment
purposes, is the topic engaging enough to compel reading?
I
really like your focus on the science within the music. I think this is an
under researched area and it sparks my interest for sure. The lead does
indicate what the story will be about. You could do a bit more implication of
why the reader should care though. “So what?”
Organization:
Consider
how the story is structured.
Chronological, thematic, chapter/section-based, inquiry-driven? Is it effective? Be specific—if a paragraph doesn’t transition
well into the next, mention it and provide suggestions for improvement.
I
really like your transitions! You wrap up one paragraph and go right into the
next. The topics flow one after the other and are related. At the same time
each paragraph has its own subtopic and
focus. I think more can be said though about why the audience should care.
Thematic structure is good.
Is
each paragraph well focused, or are several ideas competing for attention? How can better focus be achieved?
All
of the paragraphs are really good and well focused. The last body paragraph
about ASD really throws me off though. I don’t know what to think because it
has nothing to do with the past paragraphs and seems jumbled together.
Are
there certain points (factual or narrative based) that require more
development? Are you, the reader,
unclear at certain points? Are any ideas
superfluous or distracting?
Yes,
a few. I think the research is really well done but that more could be said in
general. Dive deeper and tell people why they should care. How does music
impact everyone? Is music required in a persons like or merely indispensible?
Balance
of human interest and information. Point
out sections that become too bogged down in dry facts or heavily specialized
concepts. Adversely, find sections that
rely on narrative without giving the reader proper background information and
factual points of reference.
The
topic lends itself to this being a more informal paper with strong human ties.
You could speak less to the audience though. Less you and we and more of who
you researched. Don’t make assuming statements because that is not solid
research and you don’t know how I feel. Music is very interpretational.
Are
claims backed up by examples, evidence, research? Are sensory details employed
effectively? Are abstractions made
concrete through use of examples and details?
Yes!
This is very well researched and I bet that the current sources could be used
to finish the paper through the addition of concrete examples. As far as
sensory, how does one feel, physiologically, when listening to music? I think
hormones would be good to talk about more. Do certain hormones get released
with certain music?
How
is the story concluded? Does it wrap up
the topic neatly and provide closure?
Does it ask bigger questions or compel the reader to search for more? Are you left wanting more (and is this a good
thing)? Is it effective?
The
conclusion is very blah… It doesn’t really say much or do everything. Tie up
loose ends and then look at the big picture. Connect in a universal way where
everyone can see the implications. Tie your paper together.
Voice and Audience
Characterize
the story’s voice and tone? Is it
suitable for the topic? Is it
engaging? Is it consistent throughout
the piece? If first person POV is used,
is this effective or jarring (remember, most story’s should rely on the
strength of the topic for engagement, not the evidence of authorial intrusion).
The
story is rather informal. This works, but the “yous” need to be taken out and
replaced with more formal language. Talking to the audience is somewhat
uncomfortable with such a perceptive topic.
Try
to characterize the audience. What venue
(publication) do you think this story suits?
Why? Does the author effectively
address this audience (too dumbed-down or sensational, too dry and esoteric)?
This
would be really good in a cognitive or psychological jorurnal. It discusses a
lot of basic psychology and implications of such would be very compelling. The
author is almost to the point, and will be after going just a little deeper, to
effectivle address the audience.
Mechanics
Mark
any ineffective or over-used word/phrase choices. Mark any repetitive sentence structures. Offer advice on vocabulary, syntax, and
sentence structure. Mark other grammar issues and typos.
Youtube or log on to spotify is weird syntax.
In general, examine your sentence structure because it is very similar at times
and becomes boring. No other grammar or typos that I saw.
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